Rogue One writers canned a potential sequel that explored the “dark side” of the Rebel Alliance | Dark Tech


In context: For a lot of, myself included, Rogue One: A Star Wars Story was the very best canonical SW film because the authentic trilogy. It was so properly acquired that the writers had framed out a sequel, nevertheless it by no means went into manufacturing. It was most likely for the very best, although.

Rogue One: A Star Wars Story debuted in theaters on December 16, 2016. It rapidly broke a billion {dollars} on the field workplace, formally making it a blockbuster hit. It ought to be no shock since followers and critics appreciated Rogue One higher than the prequel trilogy launched greater than 10 years earlier.

A part of what made Rogue One so nice is that it did not have the stereotypical Hollywood ending. It did not come to a cheerful little feel-good conclusion, a minimum of not for the Rogue One crew, however that was an excellent factor. The heroes did not get to stoop to obtain medals from Princess Leia as a result of — spoiler alert — all of them died.

Their sacrifice tied immediately into the start of Star Wars Episode IV: A New Hope and Leia’s message to Obi-Wan Kenobi being “our solely hope,” as Vader and his Stormtroopers boarded her vessel. It confirmed the true sacrifice that the Rogue One crew made to get the Loss of life Star plans to the Insurgent Alliance.

Rogue One resulted in a spectacularly explosive style, harkening again to Episode IV’s destruction of the Loss of life Star and coming full circle with its supposed mission. Not rather more must be mentioned about Rogue One after that time. That facet of the movie alone — that everybody dies — put a sequel just about off the desk so far as the story is anxious.

Nevertheless, that did not cease co-writers Gary Whitta and Chris Weitz from tossing the sequel ball across the brainstorming desk when all was mentioned and completed. As noticed by ScreenRant, Whitta tweeted that he and Weitz had seeded an concept of getting a Rogue One TV sequence set after the occasions of Return of the Jedi.

“Years in the past my Rogue One co-writer Chris Weitz and I had a cool concept for a TV present a couple of Mossad-style Insurgent group searching down Imperial struggle criminals who fled and disappeared after the autumn of the Empire,” Whitta mentioned. “Might have been a cool bookend to R1.”

Certainly, it could have been cool — and gritty and finally darkish as hell. One thing of a job reversal the place the Rebels go on the offensive and convey an ethical framing into the query: How far does the Alliance must go to retain its freedom whereas the Empire is in tatters and fleeing fight? Would insurgent forces not being doing the identical factor the Empire was — chasing down and killing a weaker foe?

Nevertheless, it finally by no means made it into gestation for a number of causes.

To start with, as talked about earlier than, the ending of R1 was fairly conclusive. Barring some deus ex machina gimmick that had the Rogue One crew survive, there was no solution to write the characters again into the story on the finish of Jedi. To take action would have been worse than making Greedo shoot first in Episode IV and ruining Han Solo’s rep as a no-holds-barred smuggler on the mistaken aspect of the legislation.

Oh, wait. Lucas already did that.

There was nonetheless the opportunity of creating one thing much like R1 with out resurrecting the characters. Nevertheless, Whitta and Weitz risked sullying the unique Rogue crew’s sacrifice. It will have been doomed to an early grave if not written and executed completely, which might have been no straightforward activity contemplating the supply materials. In the end, the writers dropped the thought as a result of Disney was already engaged on The Mandalorian, which debuted three years later in 2019.

Plus, Disney supposed Rogue One to be a one-time story from the get-go — a part of an anthology sequence that included Solo: A Star Wars Story. After all, the anthology plans additionally wound up on the ground of trampled concepts, with Disney deciding the streaming tv sequence format was a greater avenue for steady income.

It is all good, although. Whitta and Weitz wrote among the best Star Wars tales since The Empire Strikes Again. Why drag it out and devalue the title only for a sequel? Typically it is higher to stop while you’re on the high of your sport as a substitute of compressing an IP for each penny it is price.

Rogue One writers canned a potential sequel that explored the “dark side” of the Rebel Alliance

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